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2 min - Uploaded by DJUCEDPart 1 of our DJUCED 18 tutorial series is about getting started with DJUCED 18.
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DJUCED 18 is designed with an intuitive interface and full integration features, allowing users to conquer the mixing skills quickly. On that page guests can also send you messages which you can view on the DJUCED Master app on your phone or tablet, which again is just a fun quirk (people can just tweet you). It’s a fun little gimmick for house parties, not essential (you can do the same by posting your tracklist on Facebook and creating a poll, for instance) but if it gets people involved and talking about your upcoming gig, surely that’s a good thing.
When they click on it, they’re brought to a page where they can vote on the tracks. DJUCED 40 does this by uploading all the artist and track names to a server, the address of which you share with folk who you’ve invited to your gig. The My Party feature found in the browser lets you add songs to a playlist that guests can vote on before your DJ set even begins. Analysing a track in the browser reveals its musical key, which is displayed in Camelot notation, and the browser also has a “Match” column, which gives you a rating of how well a track you have in your library will go to the most recent track you’ve dropped in one of the track decks.
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There’s a list of all the music folders, recordings, playlists, and sound libraries (the loops and samples you’ve imported into DJUCED 40), plus your iTunes library too. The browser section contains the music in your DJUCED 40 library and hard drive. Browser At the bottom of the screen is DJUCED 40’s browser, which shows you your music folders, songs, and contains the My Party feature.
There are 16 effects to choose from (the usual suspects like flanger, reverb, delay, filter, and so on), and there’s a “macro” control that lets you turn all the modules on/off as well as control their dry/wet knobs. There are three effects slots per module, each with on/off and dry/wet controls. There are two effects modules in DJUCED 40, and you can assign any of the four decks to them. The crossfader curve can be adjusted, along with the curves of the EQs in the settings menu. You can assign each deck to the crossfader, or bypass it entirely if you want. The mixer The DJUCED 40 interface can look a bit cramped in four-deck mode especially with the mixer, but thankfully the graphics are quite minimalist and prevents the layout from becoming even more cluttered.ĭJUCED 40 comes with a standard three-band EQ, crossfader, headphone cues, and volume faders per deck. Not a lot of parameters to fiddle with there. Not so with DJUCED 40: Drop the loop / sample / one shot in, trigger it, done. That’s tricky, because choosing what to leave out in this scenario is harder than just going the whole hog, which is what Traktor’s Remix Decks are and often the reason why DJs pass on it – they’re just too capable. I was quite pleased with the way they worked – it was all pretty effortless, and the DJUCED team really did a good job of distilling just the essentials needed for this type of performance workflow (start / stop clips, volume adjustment for an entire column of clips instead of individually, effects for the entire deck, etc). There’s a sync and quantise option, which ensures that the clips launch in time with what’s going through the Master output. If you’re using the Hercules P32 DJ controller, you can launch them using the pads themselves. The Sampler decks have 4×4 grids populated with loops or samples that you can trigger. DJUCED 40’s Sampler decks consist of a 4×4 grid of loops and samples that you trigger either by clicking on them or by pressing the corresponding pad on the Hercules P32 DJ controller. Each of the normal decks has all the usual looping controls, cue and cue play, pitch faders, and tempo/beat grid adjustments. There are eight different types of waveform colours to choose from (I just keep mine at default). There are two different kinds of decks in DJUCED 40: track player decks, which is where you drag your music files onto, and Sampler decks, which is where you can add loops and samples for triggering. Not the best in the looks department, and this alone could turn some DJs off, but stick with me here… The Decks The Track deck has all your standard transport and looping controls, as well as hot cues and waveforms.
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Switching to four decks adds two Sampler decks in the middle of the screen as decks C and D, and while they don’t look as complicated as Remix Decks in Traktor Pro 2, they also don’t look as slick. The interface looks a bit like a cross between Traktor and Virtual DJ – the layout is a little bit cramped even in two decks mode, and looks quite dated.
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